So these are the covers for the albums Tegan and Sara have released so far.
This is the cover for their first album, "Under Feet Like Ours", released in 1999. It contains the song "Divided".
This is the cover for their album "This Business Of Art", released in 2000 (And my favourite T&S album ^_^)
This is the cover for their album "If It Was You", released in 2002.
This is the cover for their album "So Jealous", released 2004. This album contained the single "Walking With a Ghost", later covered by The White Stripes:
This is the conver for their 2007 release, "The Con".
This is the cover for their latest release, entitled "Sainthood", which came out just a couple of weeks ago.
These covers are going to set a good example from my own work. I like that they don't make the band being on the cover a necessity, if they can instead use a relavant peice of photography or art work. I also found the original video for "Walking With a Ghost" really interesting:
It uses the same little red felt hearts that are on the album cover. I think important to keep a motif common with the album cover and the video, and it's definitely something I'll bear in mind for my project.
So I've decided on the Tegan and Sara song I posted a while ago. I like the even pace and think it'll suit the narrative ideas the lyrics have given me. Been listening to advice though, and I'm looking at a away to put in some kind of performance feel, to keep like a music video and stop it from being too much like a short feel.
I've planned out how I'm going to do my research as well.
For the actual video I'm looking at both Tegan And Sara's youtube channel and their forums to get a good idea of the audience I'm targeting, and geting together a few focus groups to listen to the song. I'm asking them to think about the lyrics, and how they'd interpret them, to get a better feel for the narrative of the video.
For the digipak cover I'm going to, again, look at past examples of Tegan and Sara Cd's and Dvd's. I'm also going to look at other artists of a similar genre and see how they advertise themselves.
I'm also taking similar steps for the Website. I'm going to look at The bands website, as well as other examples, and work out the key aspects of a musicians website, as well as how to link both this and the cd/dvd cover to the video.
So now I've planned out how I'm doing the reasearch, looks like I'm going to have to go and do it!
Born in 1963, Michel Gondry is one of the many directors of music video to have moved into film. in 2004 he won his first Academy award, for the critically acclaimed Eternal Sunshine of the Spotless Mind.
Michel Gondry's work has a very distinctive, almost surrealist style. He uses a lot of high level CGI, but mixes it with pro-filmic, theatrical effects. He manipulates mise-en-scene to give a twisted, almost dream-like feel, due to his hige fascination with dreams and the unconscious. All of this creates a fantastically creative, almost avante-garde style that fits perfectly with the music for the bands he tends to work with, such as Björk, The White Stripes and Daft Punk.
An excellent example of his use of pro-filmic effects is the stop motion work he did for the White Stripes video "Hardest Button to Button".
This piece uses nothing in the way of special effects. They use 32 drum kits to shoot this, and simply add or remove as needed between each shot. The pro-filmic effects used here are representative of his style, and he keeps in the key motifs of the band, sticking to the colour scheme they prefer to use and shooting in their home town.
A great example of Gondry's obsession with the unconscious mind is his video for the Foo Fighters song "Everlong"
It stays away mostly from the standard genre conventions, with very little performance aspect until the end. He still uses the recurring Foo Fighters motif of the drummer being in womens clothing. It's a primarily narrative based video with a conceptual element, following a twisted dream of a young man to lead back into his bedroom, where terrifying nightmare creatures turn into the band members to perform the final chorus.
The video uses a lot of intertextual references, giving it, like a lot of Gondry's work, a post modern feel. From the Sid and Nancy references the dream moves on to the style of a cheesy 80's horror, with clear nods to both the Shining and Texas Chainsaw Massacre.
It also uses Gondry's common motif of giving a surreal element by changing the sizing of objects. A great example is the scene in the video with the giant, oversized phone.
One of the things I'll definitely take away from Gondry;s work is to look mose and using profilmic effects instead of CGI, and think more about how I film something to give it the effect I want. I also may employ some of his more surreal elements, to give my video a more unrealistic quality.
Beggining in advertisments, Jon Glazer has become a well-established feature film director. He has a very british sense of self-deprecating humour.
Both his music videos and adverts contain a lot of recurring motifs. He uses the naked male torso and a lot of masculine motifs. His use of colour is interesting. He often uses muted, almost monochromatic tones. He also uses wild animals, often caged or restrained in some way, as freedom is also a recurring theme in his work. The humans who have freedom often stick to their confined spaces while restrained animals try to break free. A classical example of this is the video for "Street Spirit" - by Radiohead.
Once again embedding has been disabled on the video. But hopefully I can upload some stills later to highlight what I mean.
This video demonstrates many of his key motifs. It's dramatically shot in monochromatic, and often shows animals being restrained and trying to break free, while people with access to freedom stay in there trailerpark environment. Glazer once again uses the male torso, once again demonstrating ideas of power, once again showing christlike imagery.
Similar effects are used in another Jonathan Glazer video, "Rabbit in Your Headlights" - Unkle featuring Thom Yorke (Embedding disabled again!). This is a concept based video that fits the lyrics well, with a narrative element.
He once again uses a lot of images of power, most specifically the final shot of the car crashing into the shirtless man at the end, while he stands looking almost crucified. Once again, he uses the naked male torso to represent male strength.He toys with reality throughout the video as well, using bad/odd continuity add a confused and disjointed feel, matching the man's confused state. He also once again uses a muted, almost monochromatic colour scheme to highlight the drama of the video.
Something important I'll take away is the power of using a muted or monochromatic colour palate, something that's definitely going to inspire me in my music video project.
Been looking into a few different songs, and doing some brainstorming.
My first idea is based on the song "Divided" - By Tegan and Sara. (There's actually quite a few songs by them I'm thinking about - but I'm trying to get some variety in my ideas!)
If I choose to do this song, I'd definitely have a narrative based video, centred around the lyrics. My idea is currently to have the whole video centred around one girl, and as the song is about relationships, and feeling "divided", I was going to centre the video around a story of her and a guy.
I'm avoiding having any performance aspect in the video, as I have nobody to perform it. I'm thinking about having a concept aspect. I'll be uploading the photo's later of what I'm talking about, but basically the idea is that when the central girl (and I have a volunteer already) is feeling "divided", she'll have half her face made up, and a "divided" looking outfit.
Born Adam Spiegel, October 22, 1969, Spike Jonze began his career making skate videos before moving on to music video. He notably directed the popular 1999 film Being John Malkovich, as well as the 2002 film Adaptation. He co-created the popular tv series Jackass.
Classic characteristics of Spike Jonze videos include a guerilla filmmaker style, and a lot of pop culture referencing.
(Unfortunately embedding has been disabled for this video)
As far as genre is concerned, this can be described as "Informed" hip hop. While it retains most of the characteristics of hip hop, it has a self aware, self mocking feel.
In terms of goodwins 6:
1) The video demonstrates the combination of performance/concept base common in hip hop.
2) A lot of Beastie Boys videos flash photo's up to match the lyrics, as in this one.
3)The entire video uses cuts on the beat to relate back to the music.
4) A lot of close ups with the Artists holding the camera are used. The intentionally low quality, on location filming are standard of a Beastie Boys video. The photo's flashing up are also common for The Beastie Boys.
5) Often in the video the artists speak directly in the camera to address the audience.
6) There are a few intertextual references in the video. Within the casino (A segment they had no permission to film, shot from a hidden camera in a briefcase), the tuxedo's are reminiscent of a James Bond film or an Oceans 11-style gangster movie. The white space-age style pods are clearly a Star Wars reference.
This is the cover for their first album, "Under Feet Like Ours", released in 1999. It contains the song "Divided".
This is the cover for their latest release, entitled "Sainthood", which came out just a couple of weeks ago.
